wrecks in 1665

50th Anniversary of the Protection of Wrecks Act 1973

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Part 2: A PWA50 Project

In the second instalment of our two-part special commemorating the 50th anniversary of the Protection of Wrecks Act, we look today at one of the projects funded by Historic England to commemorate 50 years of the Act.

Our guest blogger Michael Lobb from MSDS Marine writes about their innovative PWA50 project – Landlocked and Looking Out – to connect landlocked counties with England’s maritime heritage.

Modern colour photograph of three rock formations tilted upwards as if they were ships ploughing through seas, instead of the grass platform on which they sit, seen against a blue sky.
Three Ships rocks, Birchen Edge, Derbyshire: three large gritstone outcrops, so-called from their prow-like appearance, near a monument to Nelson.
© Graham Hogg CC BY-SA 2.0 https://www.geograph.org.uk/photo/1946715

Landlocked and Looking Out

Maritime archaeology, by its very nature, is concentrated around our coasts, and as a result, opportunities for the public to engage with it can be limited to coastal communities and those who have the means to visit them. People living inland do not always get the opportunity to participate in maritime archaeology projects, so, to address this, funding from Historic England enabled MSDS Marine to deliver fifty public pop-up events over summer 2023, specifically for schools and youth groups, to encourage active participation with maritime heritage.

All events were held in landlocked Derbyshire and Nottinghamshire, and as a result 17,066 individuals have attended at least one of these events. Not everyone who came will become a maritime archaeologist or volunteer: however, it is hoped that by having an understanding and appreciation of maritime archaeology, more people will value the hidden maritime heritage that surrounds the UK and start to believe it is of relevance to them, and this blog further highlights this work.

As part of the project MSDS Marine explored the links between historic figures, sites and artefacts from the landlocked counties of Derbyshire and Nottinghamshire, with maritime heritage and archaeology.

Shipbuilding and provisioning of ships

Copper mines at Ecton Hill, Staffordshire (scheduled as an ancient monument) produced copper sheathing to protect the timber hulls of Royal Navy ships in the age of sail, while a number of Peak District lead mines produced ingots for use as ballast in ships.

Derbyshire quarries also produced consumable items for ships, such as Morley Moor quarries which produced holystones for use on ships up to the Boer War (1899-1902) when the practice stopped. Holystones were pieces of gritstone used for scrubbing wooden decks, a regular part of a sailor’s morning routine. They were most likely called holystones because the sailors had to scrub the decks on their knees, reminiscent of kneeling in church. Large holystones were known as ‘Bibles’, while smaller ones for use in difficult corners were called ‘Prayer books.’

Historic sepia photograph of sailors in uniform, the front row on their hands and knees scrubbing a ship's deck, the back and side rows standing. It is clearly a posed photograph with all the men smiling or laughing at the camera.
Holystoning the decks on HMS Pandora (1900-1913)
Creative Commons

Perhaps of more interest to sailors were the stoneware rum bottles manufactured for the Royal Navy by Pearsons’ Pottery in Chesterfield. The most popular size was one gallon!

Other companies produced more specialised equipment for ships, such as the Haslam Foundry and Engineering Company Limited in Derby. The late 19th century downturn in the agrarian economy saw fears of a meat shortage in Britain, but at the same time farms in Australia were producing large herds of sheep. The solution was to develop and construct refrigeration systems to allow ships to transport frozen meat on the lengthy voyage from Australia to the UK. From 1881 ships fitted with Haslam machinery were transporting frozen meat from Australia and New Zealand to London. The factory backed on to the river Derwent, allowing the finished machinery to be shipped to coastal shipyards via the Trent.

Historic B&W photograph of a long row of pipes with a flow meter connected to feeder valves on the right. The pipes are angled upwards, across the ceiling, and run down again opposite, with two rows of valves.
Brine distribution pipes in the refrigeration unit, Highland Warrior, 1924. Highland Warrior’s owners, the Nelson Line, a specialist in meat from Argentina, installed refrigeration units from both Haslam and the Liverpool Refrigeration Co. Ltd across its ships, the latter in Highland Warrior. BL26996/001 Source: Historic England Archive

The Midlands also played a part in the development of shipbuilding technology: in 1799 Simon Goodrich was sent on a tour of the industrial Midlands by the Admiralty to see how emerging technologies could be incorporated into the Naval dockyards. Goodrich was shown around the cotton mill at Derby by William Strutt, which inspired technology later used at Chatham Dockyard. He also visited a stone quarry near Derby where the saws used to cut the stonework later influenced the design of timber cutting saws at Portsmouth Dockyard. At Belper he was shown the mills by George Strutt and visited Outram’s foundry, where he took a particular interest in the boring mill.

Shipping and Trade

The proximity of Derbyshire and Nottinghamshire to the river Trent, and the many canals linking up with it, including the Trent and Mersey canal, meant that a range of products manufactured in the Midlands were transported to the British coast and then further afield: for example, the wreck record shows that in 1818 the sloop Industry stranded on the Sunk Sand at the entrance to the Thames while bound from Gainsborough to London with household goods, ironmongery and earthenware pottery. [1]

Historic B&W photograph showing the corn mill seen from the canal towards the boat arch, with the text 'F E Stevens Ltd./Trent Corn Mills in the gable of the mill, with a plaque saying 'No.2 Mill' below a window.
B’ Warehouse at Trent Corn Mills, Shardlow, Derbyshire, showing the boat arch, in 1960, when still in use as a corn mill on the Trent and Mersey Canal. This warehouse was built in 1780, and from the 1820s was known as the ‘B’ Warehouse, almost exactly contemporary with the 1817 wreck of the Crown which foundered off the Farne Islands carrying barley from Gainsborough for Leith. For centuries produce from the agricultural hinterland was circulated domestically via river, canal and sea, not road or rail.
Eric de Maré AA60/04515 © Historic England Archive

From the 17th century cheese from the Midlands was transported down the Trent to Gainsborough, where it was loaded onto sea-going ships which navigated the river to the Humber, then coastwise to London. At a later date, wreck records show that the sloop Fanny, laden with cheese for Hull, capsized in the Trent in 1811, while in 1783 another sloop, the Acorn, stranded off Tynemouth while inbound to Shields with cheese from Gainsborough. Similarly, in the 17th century coal from Wollaton in Nottingham was transported to the Trent, thence to Hull on the Humber, where it was transhipped to London. [2]

The War Effort

During the First World War, Chetwynd Barracks, just outside Nottingham, was the site of Chilwell Filling Factory, a munitions plant which produced 19,000,000 shells, 25,000 sea mines and 2,500 aerial bombs over the course of the war. On the 1st July 1918 an explosion destroyed part of the factory killing 139 workers. A memorial to the workers is located inside Chetwynd Barracks, but many of them are buried nearby in a mass grave at Attenborough church. There were suspicions at the time that the explosion was the result of an act of sabotage (typical of rumours in wartime – similar rumours circulated when the warship London blew up in 1665) but it was most likely caused by the summer heat triggering an explosion.

Historic B&W photograph of long rows and rows of shells and mines of different types loaded on trolleys in a large factory.
National Shell Filling Factory, Chetwind Road, Chilwell, Notts. Melt House for Land, Sea and Air, photographed a few days before the Armistice in 1918. To the right are rows of rounded sea mines: sea mines were used by both sides and hundreds of ships were lost to mines in English waters over the First World War 1914-18. AA96/03598 Source: Historic England Archive

Many other industrial sites in Derbyshire and Nottinghamshire also contributed to the war effort in both World Wars: Stanton Iron Works just outside Ilkeston made experimental torpedo casings, while parts of Mulberry harbours for the Second World War Normandy landings were built at Hilton, just south-west of Derby.

Sailors

There has been a Royal Naval Reserve base at HMS Sherwood in Nottingham since the Second World War, with the Midland counties of Derbyshire, Leicestershire and Nottinghamshire at one point providing the most popular recruiting ground for the Royal Navy.

The roots connecting the Midlands to the sea and seafaring are ancient: Nottinghamshire was the home of Sir Hugh Willoughby, an early Arctic explorer who led an expedition to find the North-East Passage from the Atlantic to the Pacific. He died in 1554 when two ships from the voyage were locked in the Arctic ice.

Sir Hugh’s descendant Rear Admiral Sir Nesbit Josiah Willoughby (1777-1849) was born in Cossall, Nottinghamshire. He was knighted twice, court-martialled four times, and, as his obituary in the Annual Register noted:

He was eleven times wounded with balls, three times with splinters, and cut in every part of his body with sabres and tomahawkes: his face was disfigured by explosions of gunpowder, and he lost an eye and had part of his neck and jaw shot away . . . and at Leipzig had his right arm shattered by cannon shot.

(See our previous blog on disabled sailors and shipwrecks)

Historic B&W engraved half-length portrait of man in military uniform with a black patch over his eye.
Sir Nesbit Josiah Willoughby by William Greatbach, after Thomas Barber
mixed method engraving, published 1837
NPG D11236 © National Portrait Gallery, London CC BY-NC-ND 3.0

Another significant figure in British maritime history with a strong link to the Midlands was Samuel Plimsoll. Despite having been born in Bristol, he only lived there for a short time, and it was as the Liberal MP for Derby from 1868-1880 that he fought for amendments to the Merchant Shipping Act, introducing the famous ‘Plimsoll Line’ showing the safe level of loading for a vessel, preventing the loss of unseaworthy and overloaded vessels.

Modern colour photograph of sculpted bust of bearded man on plinth flanked by statues of a man and a woman looking down at a commemorative plaque in gratitude. The sculpture is seen against leafless trees and an ornate background on a bright winter's day with clear blue sky.
Memorial to Samuel Plimsoll, Victoria Embankment, London.
The central plaque is surmounted by a sailing ship: just visible above Plimsoll’s name is his load line. On the plinth the modern load line is seen, a barred circle with the letters LR for the classification society Lloyd’s Register, with load lines marked for different seasons and bodies of water. Wikimedia Commons CC BY-SA 4.0 http://tinyurl.com/5fcb6wen

Monuments

There are numerous monuments to Nelson and the Royal Navy throughout England, but at Birchen Edge in the Peak District the obelisk commemorating Nelson and the Battle of Trafalgar is accompanied by a slightly more unique memorial in the form of the natural feature of Three Ships Rocks [shown at the top of the blog], three large rock outcrops which are carved with the names of warships from Trafalgar – Nelson’s own flagship Victory, Defiance and Royal Soverin.

Modern colour photo of the word VICTORY incised on a rock and still legible despite erosion. The rock formations run from bottom left to top right of the image, are weathered in places, and have light coloured spots of lichen.
Carving of the name VICTORY on one of the Three Ships boulders at Birchen Edge, Derbyshire.
© Neil Theasby CC BY-SA 2.0 https://www.geograph.org.uk/photo/2959671

The grounds of Thoresby Park in Nottingham contain a monument to Nelson’s Navy and another in the shape of a pyramid commemorating the Battle of the Nile in 1798. The interior of the monument is inscribed with the names of the ships and men involved in the battle. Both monuments were constructed by Charles Pierrepont, 1st Earl Manvers who had been an officer in the Royal Navy, and whose son was a serving officer at the time of the monuments’ construction.

Modern colour photograph of stone pyramid with entrance porch flanked by classical columns, seen against a backdrop of tall trees on a cloudy day.
Pyramid, Thoresby Park
IOE01/16506/05 © Mrs Mollie Toy. Source: Historic England Archive

Perhaps one of the most unusual tributes to Britain’s naval heritage can be found at Newstead Abbey, just north of Nottingham. The 5th Lord Byron (1722-1798), great-uncle of Byron the poet (the 6th Lord Byron), was forced to leave his position in the Royal Navy when he inherited the estate and title. Frustrated at leaving the sea, he expanded the lake outside the house, and built cannon forts on either side so that he could stage mock naval battles. The battles were no small affair, involving numerous boats, including a twenty-gun schooner manned by professional sailors!

Modern colour photograph of blue lake with fort on the left bank and a forest landscape on the right bank. In the middle distance a swan swims towards the viewer.
Newstead Abbey, Newstead, Nottinghamshire, looking NW across the lake towards the Cannon Fort.
DP278046 © Historic England Archive

Thus we can see that in the Midlands, the furthest it is possible to get away from the sea in England, there is a strong connection to ships and shipbuilding in times of peace and of war, a heritage expressed in a legacy of wrecks and terrestrial landmarks alike.

Explore our other PWA 50 blogs:

50 Years of Protecting Shipwrecks – Hefin Meara, Historic England

The Cattewater Wreck – Martin Read, licensee of the Cattewater Wreck

Footnotes

[1] Historic England wreck records

[2] Historic England wreck records

Sailor stories

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This week I am delighted to introduce my guest bloggers Roshni Hirani, Endeavour Community Participation Producer, and Kris Martin, Exhibitions Interpretation Curator at the National Maritime Museum, Greenwich. Here they give us an exclusive insight into the work that has gone into selecting objects from the London, a designated wreck which sank in 1665. Thank you both for showing how the story of the London continues!

Sailor Stories: a National Maritime Museum co-curation project themed around the wreck of the London

2018 is an exciting year for the National Maritime Museum in Greenwich. In the autumn we will open our new Exploration Wing, a Heritage Lottery funded project consisting of four new permanent galleries which will bring the theme of exploration alive for people of all ages. One of these new galleries will be Tudor and Stuart Seafarers, which will tell a compelling story of exploration, encounter, adventure, power, wealth and conflict during the 16th and 17th centuries. Among the 100 objects from the Museum’s collection, we are delighted to be displaying a small assemblage of artefacts recently recovered from the wreck of the Stuart warship London which sank in the Thames estuary in 1665.

While the Museum has a rich and significant collection of objects from this period, one of the challenges we identified from an early stage was how to represent the lives of ordinary sailors in the Tudor and Stuart navies in the gallery. Members of the project team were already avidly following the progress of the excavation of the London wreck and were fascinated by finds that were being brought to the surface by Steve Ellis and his team. With this in mind, in 2016 we approached Historic England and Southend Museums, the receiving custodian of the excavated material, about the possibility of collaborating on a co-curation project themed around the London, with the outcome being the selection and display of 5 or 6 objects from the wreck in our new gallery.

We were aware of the importance of the London to the Southend community and from the outset, wanted to work with them to help us explore, select and interpret objects from their ‘local wreck’. Through Southend Museums we approached Jessica Russell, Community Outreach, and Patricia North, Head of Art, at Southend Adult Community College and invited them to take part in our Sailor Stories co-curation project. The response from their students was fantastic: 12 adult learners, with different skills, abilities and backgrounds, but with a common interest in heritage and the London wreck, signed up to take part. Encouragingly most of the group stayed with us until the end of the project and we were also delighted to later welcome 2 A-Level students interested in history and museums from nearby Chase High School.

Pencil and wash portrait of a wooden warship in broadside view, bows to the left, stern to the right. From the stern a naval ensign flutters, and the lower portions of three masts are drawn. At top left is a separate drawing of a Union Jack.
Portrait of the London by Willem van de Velde the Elder, circa 1660. © National Maritime Museum

Historic England’s involvement in the excavation, temporary storage and conservation of the London finds meant that it was wonderful that the team at Fort Cumberland, with HE Archaeological Conservator Angela Middleton leading, agreed to come on board as a project partner. A fruitful kick-off meeting there between Southend Museums, Southend Adult Community College, Historic England and the National Maritime Museum laid the foundations for a rich and varied 5-week programme at various sites over the summer of 2017.

The Mary Rose Museum in Portsmouth was the destination for our first Sailor Stories session. Here, Mary Kinoulty, Head of Learning, and Curator and diver Chris Dobbs introduced the Mary Rose, the museum and its new displays. This was the ideal place to give the group a taster of the processes, techniques, challenges and opportunities associated with the selection, interpretation and display of shipwreck material. Moreover this was a chance to enthuse and engage the Southend team with the subject matter and encourage further participation through a well-known wreck and the spectacular interactive displays at the museum.

Group of people clustered from bottom right to centre listening to guided talk in museum. At centre is a glass display case with a ship model inside, paintings occupy the walls in the upper register of the image.
Nick Ball talks to Sailor Stories participants about 17th century ships (author’s photograph)

The second session took place at the National Maritime Museum where our co-curators learnt about the museum, its collection and displays, and the planned new galleries. They were given time to explore the museum with Curator Aaron Jaffer, and together considered the different ways objects can be displayed and interpreted. We introduced the London through an original drawing of the ship by Willem van de Velde, the Elder, in the museum’s collection and looked at ships of the time through paintings and models in the company of Nick Ball, the Museum’s Assistant Curator of Ship Models.

The following week at Southend Museum’s store, participants went ‘behind the scenes’ for a session that considered the excavation, storage, handling and conservation of wreck material. Led by Conservator Claire Reed and Curator Ciara Phipps, this included a hands-on session where the team relished the opportunity to work in small groups to assess and repack waterlogged organic objects excavated from the local area.

Group of people standing in a semi-circle and all wearing blue conservation gloves,watching conservators working with object on table at right. Background is shelves of museum storage boxes.
Participants learning about the safe storage of waterlogged organic objects with Claire Reed and Ciara Phipps (author’s photograph)

Back in Portsmouth for the fourth session, we joined Angela Middleton and the Archaeological Conservation team at Fort Cumberland. This was the first opportunity for the group to see actual objects from the London wreck. As the objects were at various stages of conservation, the participants gained an understanding of the processes and challenges involved, and learnt more about what the work at Fort Cumberland is revealing about the objects and the London.

Participants standing around table in museum store listening to conservator speaking at right, with her arm stretched out across the table, which is covered with boxes and objects sitting on white conservation tissue.
Angela Middleton gives participants an insight into the conservation of objects from the London (author’s photograph)

The group was then split into two and was presented with a preselected assemblage of 25 London objects, taken from over 750 that had been recovered. Without any interpretation they looked at the objects closely thinking about what they could have been used for, what they were made from, what questions they would want to ask about them and what they could tell us, before presenting to the other group a selection of five objects that they would initially pick for public display. After learning more about each object, participants created their ‘final’ selection which had invariably changed from their first choice. Choosing the final selection was challenging given the short amount of time and it was important for participants to have some time to reflect on their choice.

For the final session all participants returned to the National Maritime Museum where the four new galleries will open next year. This session concentrated on museum audiences and interpretation. We asked participants to write their own museum label about something that belonged to them or a piece of clothing they were wearing. They learnt about the importance of ordering information and the difficult decision-making involved in choosing material relevant to their target audience. These were then discussed as a group. The session ended with a review of the London artefacts selected, which includes a leather shoe, a clay pipe, a pewter pot and a broken candle, and a discussion of how they would be interpreted at the National Maritime Museum. We then celebrated the success of the project with a preview of our brand new temporary exhibition, and tea and cake!

The Sailor Stories co-curation project was a great triumph and a mutually enriching and inspiring experience for all involved. Feedback from the participants was universally positive: the group enjoyed ‘seeing and handling artefacts – feeling involved and working in a group’ and ‘meeting the team behind the scenes’. They also loved seeing how museums work, engaging with heritage and conservation professionals and creatively contributing and responding to the project. Southend Adult Community College has produced a short film to commemorate their experience:

 

(This video has no voiceover)

it appears that the project has inspired at least one participant to seriously consider a career in museums or heritage. The experience opened our eyes to the different perspectives, discussions and debates surrounding the wreck and how members of Southend’s community felt it should be displayed and represented in a national museum. This co-curation model is one that we are keen to follow in future gallery development. We look forward to seeing the outcome of Sailor Stories on display next year.

We would like to thank everyone from Southend Adult Community College, Chase High School, Southend Museums, Historic England, the Mary Rose Trust and Royal Museums Greenwich who took part in the Sailor Stories co-curation project.

Glossary: Co-curation describes community participation and collaboration in creating exhibitions together with professional museum curators.

@RMGreenwich

@SouthendMuseums

@SouthendACC

@HE_Archaeology

@HE_Maritime

#SailorStories

#LondonWreck1665

Roshni Hirani, Endeavour Community Participation Producer (@RoshHirani) and

Kris Martin, Exhibitions Interpretation Curator at the National Maritime Museum (@kristianjmartin)

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For previous blogs on the London:

The London blows up, 7 March 1665 on the 350th anniversary of the wreck

The London wreck today on the wreck site as she now lies

The London: A conservator’s tool-kit, by Angela Middleton, on the challenges of conserving objects from the wreck site

Conservation of artefacts from the wreck of the London, by Eric Nordgren, continuing the theme of conserving further objects from the London

 

No.77 The London wreck today

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2015: Telling the story of the London today

A CGI reconstruction of the wreck of a wooden vessel lying on her side with holes blown in her structure.
A CGI reconstruction of the London wreck on the seabed. © Touch Productions

The ordnance, so crucial to the story of the lost London, as described in the previous post, and the salvage of the vessel in the aftermath, is also the theme of her more recent story. A gun was found on the site in 1962, and further investigation of the site in 1985 concluded that its iron content was too great to indicate a 17th century vessel (because the ordnance aboard the London was believed to be predominantly brass). Archaeological investigation in 2006, before dredging for the London Gateway project began, identified two discrete sites close to one another. In 2007 two bronze cannon said to be from the site were reported to the Receiver of Wreck, suggesting a threat sufficient to trigger an assessment of the site’s national importance as a candidate for designation under the Protection of Wrecks Act, which was achieved in 2008.

Local volunteers, under the site Licensee Steve Ellis, began monitoring the site in 2010. The Thames Estuary is a challenging environment for divers and for the wreck itself, which is also under threat from natural forces: the sediment mobility in the area and the effects of climate change, in which warm-water organisms have migrated northward with the potential to impact on wooden wrecks such as the London, leading to a noticeable loss of artefacts from the site.

Steve illustrates another major challenge facing archaeologists on the site, at the edge of a busy shipping channel:

A huge container ship dwarfs the dive vessel as it passes close by.
A large container ship passes close to the dive vessel near the London site. © Steve Ellis

These environmental threats in turn triggered a programme of finds recovery, with a very successful season in 2014 involving a collaboration between English Heritage, Cotswold Archaeology, Licensee divers, Southend Museums, and local volunteers, who sorted the recovered finds. Over 70 items were recovered, 41 by Cotswold Archaeology and 35 by the Licensees, a time capsule of life aboard a 17th century vessel, including bottles and personal items such as clay pipes and shoes.

A largely intact black leather latchet shoe viewed from above, next to an i
A well-preserved latchet shoe recovered from the wreck of the London. © Steve Ellis

Dan Pascoe, one of the site archaeologists, resumes the story with an account of recent archaeological activity concentrating on the guns:

‘The excavation thus far has revealed tantalizing clues towards determining which part of the ship survives on the seabed at site 2. The discovery of an intact gun carriage with the trucks situated against the remains of a deck, suggest the survival of parts of the gundeck. Directly either side of the carriage cheeks were the associated gun tackle, furniture and even gunner’s implements. The deck and carriage are situated on the vertical rather than horizontal, identifying that the remains of this part of the ship are on its side. Full excavation and recovery of the carriage this season will hopefully reveal the side of the hull and gun port.

South of the deck line, which would be below the gundeck, the excavation has uncovered  numerous cut logs of fired wood, galley tiles and bricks. In large ships, like the London, built prior to the mid-1660s, the cook room was found on a partial deck or platform within the forward part of the hold. Also found have been sections of partition planking, probably related to the internal structures of the ship, such has cabins and storerooms. The litter of hundreds of musket and pistol shot points to a possible location near the gunner’s storeroom. The present thinking is that site 2 is part of the bow from at least the gundeck down to hold, which includes the remains of a partial deck or platform. The excavation continues this spring and will hopefully be able to confirm the team’s initial thoughts and theories.’

The remains of a wooden gun carriage truck in poor visibility in the Thames
Gun carriage truck in situ in the Thames, which also illustrates the challenges of working in limited visibility. © Steve Ellis

Steve Ellis, the site’s Licensee, says:

‘It has been a fantastic experience working on such a fascinating wreck site, especially the discoveries we have come across to help us all understand more about life aboard a 17th century British naval ship. This would not have been possible if it wasn’t for the full support that we had from English Heritage, seeing that we are only amateur archaeologists.’

A photographic exhibition documenting the finds opens later this month at the Beecroft Art Gallery, Southend-on-Sea, Essex; underwater investigations are due to resume in summer 2015 and can be followed via the Twitter hashtag #LondonWreck1665.

With many thanks to Dan and Steve, who have contributed so much to this post.

No.43 The Vogelstruis

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An Ostrich with her Head in the Sand (or in the mud . . . )

Happy New Year!

To kick off another year of Wreck of the Week, here’s a ship which was captured, but not wrecked, at the Battle of Portland in 1653. She was the Vogelstruis, beautifully mangled in one English source as the ‘Fugelstrays‘!

The Vogelstruis was built for the Dutch East India Company (VOC) in 1640. She had already made six return voyages for the VOC when she set out on her last adventure, as part of the Dutch escort for a large convoy of merchantmen homeward-bound through the Channel. The English lay in wait to intercept the convoy and thus began the Battle of Portland, or the Three Days’ Battle as it is also known, in February 1653.

In his despatches the Dutch commander Maarten Tromp* noted that it had been impossible to rescue the disabled Vogelstruis drifting ‘in amongst the English fleet . . .’ , who captured her and sent her for Portsmouth. She entered English service under a simple translation of her original name, to become the Estridge or ‘ostrich’, a name that was redolent of the faraway climes of her earlier VOC service.

If a ship could be named Ostrich, then contemporary poets such as Richard Lovelace likened the ostrich to a ship: Eastrich! Thou featherd Foole, and easie prey, That larger sailes to thy broad Vessell needst (Lucasta’s Fanne, 1649).

She was hulked in 1653 and is reported in one source as becoming a careening hulk, a support vessel in the ‘careening’ or heeling over of ships on the shore to be cleaned and repaired, an essential but time-consuming process in the age of sail. As warships aged and/or became obsolete, they would be successively downgraded, passing through a number of incarnations after leaving active service, a process of decay that sometimes ultimately led to wrecking by abandonment or through structural weakness in adverse conditions.

There was another fate, and a common one in the 17th and 18th centuries as the demands of the Royal Navy for facilities increased: to be sunk as harbour foundations or as breakwaters at principal ports. Such was the fate of the Estridge, given variously as at Portsmouth or at Sheerness, but in all sources for the same purpose, and at the same date, in 1679. The Augustine, also captured from the Dutch in 1653, became a foundation at Harwich in 1665, a fate shared by the Play Prize, ex. French Le Jeu[x] in 1697. Even as late as 1830 HMS Glatton was scuttled as a breakwater foundation, again revealing Harwich’s rich heritage of ‘recycled ships’.

*the banner photo is of the Admiral van Tromp, a modern wreck named after Admiral Maarten Harpertsz. Tromp.