26. Totes Meer

There can only be one wreck of the week this week, as everyone is talking about the Do17 Flying Pencil recovered from the Goodwin Sands on Monday. Rather than commenting directly on the wreck, I would just like to set it into some sort of historical and cultural context.

We know from our records that the Do17 was one of 12 aeroplanes which were shot down or crashed on the shore on the same day, as the Battle of Britain raged: three in the Humber area, the remainder over Kent and Sussex.

As far as I am aware all the aircraft lost on that day came down into the sea: none crashed on land. Three German aircraft, a He111, a Me109 and our Do17, were lost as against 9 British: two Defiants from the same squadron which attacked the Do17, two Hurricanes, two Spitfires and three Hampdens.

Overall Historic England’s records show that some 433 German aircraft were lost during WWII, of which approximately 364 are known to have been shot down in or near the sea. Undoubtedly there is some under-reporting of both terrestrial and maritime losses of aircraft, an issue not confined to the German side. It is therefore impossible to say definitively from the data available that more German aircraft were shot down over the sea than they were over English territory, but this looks largely to be the case.

It seems apt then, to look at Paul Nash’s painting, Totes Meer. It was actually inspired by a dump at Cowley in Oxfordshire of crashed German aircraft seen in a terrestrial context, but reworked by Nash into a ‘dead sea’ of twisted wreckage, waves upon waves of German aircraft crashing upon an English shore.

It is virtually contemporary with our Do17, being painted in 1940-1 as part of Nash’s work as an official war artist. Hindsight colours our view of the painting, since we know the outcome: it is easy to forget that, at the time it was made, the war hung in the balance. Did contemporary viewers see each crashed German aircraft as one less to rain bombs on Britain, or do they represent a force as unending and as unyielding as the sea? Or are both views tangled up in the wreckage?

A very visible wheel, not unlike the still inflated wheel seen on the Do17, lends the mangled heap the appearance of the eye of a beached whale or school of whales, reinforced by exposed wing struts suggesting baleen plates. A beached whale is an animal out of context: so, too, are these aeroplanes, lying in the sea instead of flying through the air.

5. Our Four-Legged Friends

Dogs in Shipwrecks [Post updated August 2020]

Today’s records are in a slightly lighter vein . . . dogs associated with wrecks.

Dogs may not be able to talk, but sometimes they can bear witness to a wreck, as in this case when a dog arrived home at St. Ives, the first indication that anything was amiss with the Charles, lost off Portreath in November 1807, the sole survivor and the sole witness. If only they could talk . . .

For a dog to be a sole survivor of a wreck event was not uncommon. Unsurprisingly Newfoundlands featured quite regularly in such accounts, such as those who swam ashore from the wrecks of the Cameleon transport on the Manacles in 1811, while bringing home soldiers from the Peninsular War, or the Edouard in 1842 off Kimmeridge in Dorset.

Another dog also became the sole survivor of the steamer Prince, wrecked in 1876 off the Tyne.

Thomas Bewick, in his 1790 General History of Quadrupeds, illustrated the Newfoundland not only with one of his celebrated woodcuts but also with an anecdote which seems to relate to the story of the Shields collier brig John, lost in 1789 near Great Yarmouth. From that ship, lost with all hands, a log book came ashore. How it came ashore was evidently part of a tale circulating in Shields and Newcastle-upon-Tyne, where Bewick lived and worked and had his books published:

‘ . . . a Newfoundland dog alone escaped to shore, bringing in his mouth the captain’s pocket-book . . .’ According to Bewick, the ‘sagacious animal’ refused to drop his ‘charge, which in all probability was delivered to him by his perishing master’ until he saw a man whom he liked the look of, and he gave him the book before returning to the shore. He then ‘watched with great attention for everything that came from the wrecked vessel, seizing them, and endeavouring to bring them to land.’ (1)

Black and white engraving of a large dog against a rural landscape
‘The drawing for this dog was taken from a very fine one, at Eslington in the county of Northumberland’ Thomas Bewick, A General History of Quadrupeds (1790) Wikimedia Commons: public domain

Though several other records also report the sole survivor as being canine, more happily, there were other accounts where some or all of the members of the crew, human and canine, were rescued. In 1869 a two-year old Newfoundland was rescued from the Highland Chief barque on the Goodwin Sands, having stayed behind on the wreck with 12 humans, waiting for the Deal boatmen to come to them (the five men who trusted to the ship’s boat were never seen again).

The crew of the Reaper of Guernsey were taken off by breeches buoy in 1881, in another rescue off the Tyne, including a somewhat vocal animal: ‘Above the shouts of the men could be distinctly heard the yells of a fine terrier dog’ reported a local newspaper. When the Wandsworth  also struck off the Tyne in 1897 another dog, also rescued by breeches buoy, ‘gave token of being exceedingly thankful for its rescue’.

We wonder if the rescuers were licked to death!

In 1868 a ‘very fine retriever dog’ kept calm in an emergency and doggy-paddled off to save itself from a wreck. It knew where to go, and, ‘no doubt attracted by the brilliant Gull light’ swam up to the Gull lightvessel off the Goodwin Sands after the collision between the Lena and Superior, which sank the latter. The dog had swum for nearly a mile before reaching the lightvessel, and seems to have been made quite a fuss of, being called a ‘sagacious animal’ and ‘noble creature’.

In 1858, a ‘much exhausted’ black Newfoundland was picked up at sea ‘half a league from the pier head’ at Mullion the morning after two ships in harbour were driven out to sea and smashed onto the shore west of Mullion.

Somewhat more famous was Monte, the St. Bernard plucked to safety by the greatest lifeboatman of all time, Cox’n Henry Blogg, from the Monte Nevoso aground on Haisbro’ Sand in 1932. Monte is the star of the RNLI Henry Blogg museum where a photograph of Monte can be seen with his rescuer and owner (shown in the link). A pet dog also made the news when rescued from the wreck of the Terukuni Maru, mined in the Thames in 1939.

Dogs could also be the rescuer rather than the rescued and it is no surprise that a Newfoundland was involved in the following incident in 1815. The breed became famous for its lifesaving capabilities and instincts, a reputation which persists to this day.  The ‘sagacious canine perseverance’ of one Newfoundland who doggedly (sorry . . . ) swam ashore with a lead line resulted in a successful rescue operation from the Durham Packet off Cley-next-the-Sea, Norfolk.

From this we have learnt not only of the part that dogs, especially Newfoundlands, have played in our wreck heritage, but also that the word of choice was ‘sagacious’!

Oil painting of a dog lying on a quayside against an evening sky, with seagulls wheeling in the air to the right.
A Distinguished Member of the Humane Society, exhibited 1838, Sir Edwin Landseer, bequeathed by Newman Smith, 1887. Photo © Tate. In this painting another dog stood in for the elusive ‘Bob’, who was said to have survived a shipwreck off the east coast of England, and subsequently famous for his rescues, and an honorary member of the Humane Society. The tale may have grown in the telling but Landseer depicted several Newfoundlands associated with shipwreck and lifesaving, particularly black and white Newfoundlands, which have since become known as the ‘Landseer’ type.

Footnote:

(1) Bewick, T. 1790 A General History of Quadrupeds (Newcastle-upon-Tyne: Hodgson, Beilby & Bewick)